Archive for February, 2010

Hailing from South Africa, Shukry Adams mixes up his favorite selections of beautiful ambient, modern classical, drone, and dark ambient selections. Just look through the track listing to get a feel of the incoming wave of music which will cradle you for close to an hour. Broadcasting through the slow internet connections, Adams explains: “I [...]


OK. I give up. There is just no way that I can cover all of the wonderful music out there. There’s just not enough time! But I still want to tell you about all of the amazing releases that come across my desk. So I’m introducing a new feature on Headphone Commute. It’s simple and straight [...]


Kompakt Records kicks off the new year with the tenth installment of its annual Pop Ambient series — a decade of densely layered drones, tones, and sounds, showcasing the best artists making music in modern classical and ambient genres. The compilations are curated each year by label head and music legend, Wolfgang Voigt (aka Gas), [...]


When you founded Kompakt Records in 1998, did you have any idea that the “Cologne sound” would become such an inspirational and driving force in the world of electronic music? The so called “Cologne Minimal Techno” has been founded in 1991 and had it’s first international peak of success already in 1996. When we founded KOMPAKT in 1998 [...]


Like a hungry spider, returning to its nest of venomous eggs, the effect-rich sound of Frank Riggio crawls up your skin, and sinks its fangs in to open up a healed scab beneath your scalp. This album is dark, cinematic, enormous and elaborate. It is absolutely impossible not to compare Riggio to Amon Tobin – [...]


What are your reactions when your music is compared to Amon Tobin? How do you feel about being called a copycat? It’s flattering in a way, because Amon Tobin is a legend.  But sometimes it’s a bit boring too. I think some people always try to compare me to Amon Tobin, even if it’s not comparable. My [...]


Since I started publishing free mixes on Headphone Commute, I guess it was only a matter of time before they got turned into a podcast. So what’s the difference? Not much really. A podcast is an enhanced delivery method of our music directly into your digital players. Throw the URL listed below into your iTunes, [...]


It’s a chilly early morning, and my feet sink into the hard shell of a snow that built up over the night. The sun warms my face, but the air is crispy and dry. I hurry towards my destination, in time with the beat, on my headphone commute. The music compiled in this mix by [...]


…and one more installment from the Reflections series. There may be more to come, but this is indeed the last set of words from the initial batch. In this edition, we feature Nao Sugimoto of Spekk, a list of favorites from Marc Byrd of Hammock, some thoughts from Ólafur Arnalds, and the thoughts on music [...]


I have to admit that I’m mildly surprised by where my musical preferences are taking me these days. Until recently, I didn’t really have much patience for drone and noise music. I found it intriguing but I couldn’t really wrap my head around it. Now I find myself increasingly gravitating toward these more abstract forms [...]


So, where is the invisible city? The Invisible City grew out of material I had been working on for a period of three years. I think this city can be anywhere really, even in the middle of the woods or in the desert. Wherever you want to place it. The atmosphere on the albums is [...]


For those of us who have been forced to stem our vinyl intake, it’s nice when a label like Ad Noiseam swoops in and neatly collects a slew of great dubstep 12″s from multiple sources. Terminal Static, featuring tracks released on Ruff, Damage as well as Ad Noiseam, is such a collection — a near-comprehensive [...]


Your music is perfect for the virtual battlefield. I want to blast it in my giant mech suit while mowing down civilians. Can you see yourselves lending your cinematic riot sounds to film or game soundtracks? Maybe, its been suggested to us enough times by various people. I think it would be fun thing to try but i [...]


Another quick installment of Reflections. I thought that I was done with them as well, but they keep pouring in, and I think there will be one more to publish, after this one. Here are two underground artists that release music on their on, and via net-labels. Although both of these characters don’t have much [...]


It took almost nine years for Dylan Nathan to return to the scene with his intelligent breaks and glitchy melodies, slapping it across the entire IDM spectrum under his Jega moniker. There were some hiccups in this release – the album leaked back in 2003, and Nathan chose to pull back the tracks, refile the [...]


As my mood shifts from one plane to another, and the music bombards my ears with various styles, tones and rhythms, it’s hard to stay grounded to just one genre. Today, I feel like glitching along with IDM. Tomorrow, I bop my head to hard pounding techno. In anger, evil drum’n’bass takes over my soul, [...]


Has Lusine turned almost pop? Well, not quite. If so, then pop music has never sounded so good! But peel back the vocals from the foreground, appearing on a few tracks by Vilja Larjosto and Caitlin Sherman, and we are left with the good old electronic sound of Lusine, known for his lush ambient soundscapes, [...]


The twenty dollar question: would you call your latest release “pop”? Well, I was focused more on verse/chorus song structures on a few of the tracks, so in that sense yes. That’s mostly how I conceive of “pop” in a musical sense, as opposed to the typical build/break-down song structures in electronic music. But, “pop” [...]


I know how most of you hate these surveys, but I promise you that this one is not for gathering and selling any of your information. I’m just trying to fine tune Headphone Commute and concentrate on areas that may require improvement. There’s no need to waste my time and energy publishing on myspace if [...]


Mr. Projectile… He’s back! After a five year silence, Matthew Arnold returns with his fourth full length album, To The West, and thrusts it right back up in our $%@#ing faces. The last time I marveled at Arnold’s intricate IDM production skills was back in 2004, on the beloved Merck label with his release, Sinking. [...]