Archive for February, 2009

Twenty-five sixty-two is not just a postcode in The Netherlands’ Den Hague – it is also an alias of its resident who is a prolific producer of dubstep, techno, and broken beat atmospherics. Dave Huismans‘s first full length release on Tectonic under 2562 moniker is titled Aerial. Tectonic is the same label that previously brought [...]


Since the good ol’ days of Squarepusher‘s jazzy idm breaks, laced with jungle flavored drill’n’bass, I’ve been nostalgic for that fading away sound. Even Venetian Snares modern-classical-meets-breakcore masterpiece, Rossz Csillag Alatt Született (Planet Mu, 2005), is now almost four years old. Has the genre put on an angrier mask and turned to gabber-heavy random-triggered mayhem? [...]


I read that Blaerg is an anagram for ‘garble’. How did you come up with this name? Quite honestly it was a nonsense word i uttered once while yawning. My wife found it to be extremely funny so it became an oft-repeated thing around the house. So the word was drifting around in my head [...]


You would think that by being one of the prominent sound engineers and pioneers in experimental music since 1993, Mika Vainio would have run out of steam. You would think that numerous copy cats would push his sound design into obscure corner of just another knob tweaking artist. You would think. But Vainio treads on. [...]


Here’s another winner for Kranky, a Chicago based label that has been releasing outstanding material from Pan•American, Deerhunter, Stars Of The Lid, Loscil, Atlas Sound, Benoît Pioulard, and Valet, just to name a few. In Between Words is a sophomore release for Canadian based Christopher Bissonnette. And what a sonic treat it is! The warm [...]


What are some of the field recordings or sampled material used on In Between Words? The field recordings come from a few different places. Some were in closed environments where I picked up unexpected noise. I like a few chance elements included into the work. One stretch was taken in a convention center with rather [...]


Tympanik Audio

12Feb09

Interview with Paul Nielsen First of all, Paul, I want to greet you. Your label Tympanik Audio in the past year has produced a lot of music of the highest quality. What do you think is the key to success in the music publishing? Greetings to you. Thank you for your compliment. To answer your [...]


A few years ago, when I was regularly creating mixes for a podcast, an idea came across to compile music for my funeral. One thing I am sure about – I will die. And when I pass on, music will be filling in the void that was once my presence. How touching. Why shouldn’t I [...]


Following up the free digital teaser, No Place For Us EP (Ghostly, 2008), The Sight Below graces our ears with a full length, Glider. The album picks up right where the EP left off – majestic flowing ambient pads spreading over endless soundscapes complimented with an ongoing four/four beat. This is ambient techno at its [...]


There is no true definition for ambient techno. Yet, I would claim that your style perfectly defines the genre. How do you feel about this classification and the necessary evil of categorization in general? Categorizing things is part of human nature – I’m not bothered by it, nor do I really mind any categories. Comes [...]


With half a dozen of twelve-inchers under his belt, and a full-length breakcore album Hippie Killers Don’t Mind Jah Conversations (Peace Off, 2006), Luis Garbàn, aka Cardopusher, lands a tasteful EP on Spectraliquid, continuing the Athens based label’s Mutant Dubstep series with Volume 2. Garbàn’s previous output ranged from above mentioned breakcore, to gabber and [...]


Toronto based Aidan Baker and Montreal based Tim Hecker pair up to deliver an abstract and experimental ambient piece on a Canadian Alien8 Recordings. Hecker is not a stranger to a noise-prominent label, having previously released Mirages (Alien8, 2004), and a re-issue of Radio Amor (Mille Plateaux, 2003). In addition, his ambient recordings have already [...]


The latest release from Kaya Project titled, …And So It Goes, is full of spiritual and ethnic elements, multi-lingual vocals, and world infused beats. This is a third full length album from a collaborative duo of Sebastian James Taylor and Natasha Chamberlain. Incorporating digital production design with organic instruments, Taylor and Chamberlain create a beautiful [...]


How much of your work is improvised at the time of the actual album recording? It depends on the nature of the project — some are entirely improvised (or spontaneously composed, as I sometimes refer to it), some partially (as with most of the Nadja recordings), and a few only minimally. What was unique about [...]



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