Archive for October, 2008
Tell us about your upcoming live track on Project: Mooncircle compilation, Silent In Truth. It’s actually something new we wanted to try out: finding a way to incorporate live instruments in our beats. We decided to do a little jam in “the lunar bar” over here in Antwerp. We asked some friends of ours who [...]
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In the mood for some laid back beats and loungy vibes? Let 40 Winks groove you with their instrumental hip-hop rhythms mixed with blues, funk, and soul. The group (also spelled without a space as 40winks, and referring to English idiom for taking a nap for a short period of time) is comprised of two [...]
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Tags: instrumental hip-hop, jazzy, trip-hop, turntablism
Here’s a 2007 release that I’ve been meaning to cover in detail for a while. Touch Music was launched in 1982, initially releasing cassette magazines. Twenty five years later, Touch is at its peak, perfecting their output with carefully selected works by Christian Fennesz, Ryuuichi Sakamoto, Oren Ambarchi, Biosphere, Ryoji Ikeda, Philip Jeck, Chris Watson [...]
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Tags: ambient, experimental, modern classical
What was one of the most memorable moments from your collaboration with Sakamoto on Cendre? doing the mixes in ryuichis studio in new york city in winter. What are some challenging aspects of doing a live performance? airport security checks. And what are the rewarding ones? improvising/ the interaction with the audience. You’ve worked together [...]
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Hauschka – Ferndorf (130701)
When I’m in the mood for classical piano and chamber music, I usually turn to a bottomless repertoire of Tchaikovsky, Liszt, Chopin, Stravinsky and Beethoven. For a more edgier, experimental, and contemporary feel, I queue up modern classical composers like Arvo Pärt, Phillip Glass, Nico Muhly and Max Richter. I’m definitely adding Hauschka to the [...]
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Tags: classical, modern classical, piano
There is a variery of instruments on Ferndorf. How did the cellos and most interestingly trombone come into this equation? Well after releasing three piano solo records, two of them were pure prepared piano, i thought to carry on working and maybe push the work with the piano to certain borders. one is to work [...]
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I was originally postponing any reviews of Plaid in anticipation of their new album, Scintilli, originally planned to be released sometime in Q4 of 2008. But it seems that it has now been postponed to mid 2009, and I can’t wait that long to talk about one of my favorite artists (which you should already [...]
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Tags: ambient, cinematic, electronic, soundtrack
Last Days – Sea (n5MD)
With the world financial markets currently in gloom, the US presidential elections around the corner [and no real positive outlook in sight], and the overall feeling of minor depression, not the least of which could be attributed to the oncoming colder weather, I begin to wonder if these _are_ the last of our days. But [...]
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Tags: ambient, atmospheric, shoegaze
What is your typical composition process? When I begin a song I have little idea of what it’s going to sound like. I don’t write down ideas or read music so if an idea comes to me can be quickly lost. I usually just sit down with the guitar or at the computer and see [...]
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Here’s everything I love about modern classical and experimental ambient. Tiny sprinkles of noise and artifacts. Glitchy digital errors across strummed guitars. Chopped up echoes of piano. Timeless bliss… All making up some jigsaw puzzle of a melody that reveals itself only if you unfocus your mind, unplug the brain, and blur your vision. Let [...]
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Tags: ambient, experimental, modern classical
It’s been almost two years since one of the leading IDM labels operating out of Florida, closed its doors. My dear Merck… I’m tired of sighing. Your impact on the music scene still resonates till this day – with new artists drawing inspirations from your past releases, and abandoned musicians still scrambling to find a [...]
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Tags: glitch, idm, trip-hop
Where does the name ‘Deru’ come from? Deru is an Indo-European root of some modern words like “duration”, and “tree”. I’ve always liked the idea that releasing music is like giving birth to a living entity, like a tree that grows roots with each new person that listens. Tell us about your newly completed album. [...]
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It’s a quiet forest morning. The birds are chirping. Somewhere a large animal calls out to its mate. Soon the horns sound. The kaleidoscopic circus marches in. The trees begin to bend as they extend into the skies, branching out in rainbow fractals. Everything compacts into a single energy and then explodes again. The psychedelia [...]
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Tags: psybient, psychill
Writing about such music is difficult. Especially when its beauty is escorted by concept. I could tell you about Touch Ringtones, and Max Richter’s approach at creating twenty four miniature classical sketches designed to capture the moment and snap you in and out of your daily tasks. I could tell you about Richter’s gallery installations [...]
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Tags: classical, experimental, modern classical
You have explored a rising personal medium. How does its lo-fi sound play into your concept? i treated the phones exactly like i would the cd or the lp – just another replay device. i don’t worry about replay fidelity really – i think that interesting music stands up no matter how its replayed – [...]
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The FabricLive series has celebrated some really amazing output since its launch seven years ago. The monthly (!) compilation releases started in November 2001, by the London based nightclub Fabric. Alternating monthly between Fabric and FabricLive series, the club’s offshoot label has covered a diversity of genres, from tech house to drum’n’bass, from dubstep to [...]
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Tags: breakbeat, breaks, electro

